Mrs. Noah Smith and Family
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The Song of the Poet
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Nacogdoches, Texas, Stephen F. Austin University Art Gallery, Images of World War II, Mar–May 1992.
Denver Art Museum, Colorado: One Land, Many Visions, Mar. 30–Sept. 15, 1996.
Near Newport
In this late work, John Frederick Kensett portrayed the Rhode Island coast with spare, yet meticulous forms suffused with light and quietude. A solitary female figure seated at…
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In this late work, John Frederick Kensett portrayed the Rhode Island coast with spare, yet meticulous forms suffused with light and quietude. A solitary female figure seated at right almost goes unnoticed amid the long, horizontal bands of earth and water. It is the expansive sky that dominates the composition, suggestive of a spiritual force in nature. Kensett, who first trained as an engraver, applied draftsman’s precision to his paintings of the American landscape. Near Newport hints at the tourist activities that would come to define the town in the late 19th century, with couples walking along the distant shore and bathing tents dotting the horizon.
John Paul Driscoll and John K. Howat, John Frederick Kensett, an American Master (Worcester, MA: Worcester Art Museum, 1985), pl. 26, ill.
Art Institute of Chicago, Master Paintings in The Art Institute of Chicago (Boston and Toronto: Little, Brown, 1988), p. 87, ill.
Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998).
New York, NY, National Academy of Design, Collection of Over Five Hundred Paintings and Studies by the Late John F. Kensett, Mar. 24–29, 1873, no. 178, as Near Newport.
Art Institute of Chicago, The Hudson River School and the Early American Landscape Tradition, Feb. 15–Mar. 25, 1945, Frederick A. Sweet, cat. no. 126, p. 84, ill. as Rocky Coast at Newport.
Milwaukee–Downer College, Wisconsin, A Century of Landscape Painting by American Artists, 1851–1951, Feb. 13 – Mar. 23, 1951, cat. no. 1, as Rocky Coast, Newport. *only checklist on back of symposium brochure, The Arts in Society, Milwaukee–Downer College Feb. 13, 1951.
Athens, Ohio University, Edwin Watts Chubb Literary Art Gallery, American Painting: Masterpieces Loaned by the Art Institute of Chicago, cat. no. 3, as Third Beach, Newport.
IL, Durand Art Institute, Lake Forest College, A Century of American Painting: Masterpieces Loaned by The Art Institute of Chicago, June 10–16, 1957, no. 3, as Third Beach, Newport.
Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].
New York, NY, The Whitney Museum of American Art, John Frederick Kensett, 1816–1872, Sept. 10–Oct. 20, 1968, cat. no. 41, ill. as Rocky Coast at Newport; Houston, Texas, the Museum of Fine Arts, Feb. 27–Apr. 13, 1969; Jacksonville, Fla., Cummer Gallery of Art, Apr. 29–June 8, 1969.
Worcester, Mass., Worcester Art Museum, John Frederick Kensett, An American Master, Mar. 26–June 9, 1985, John Paul Driscoll and John K. Howat, pl. 26, ill.; Los Angeles County Museum of Art, Calif., July 11–Sept. 8, 1985; The Metropolitan Museum of Art, Oct. 29, 1985–Jan. 19, 1986.
John F. Kensett, New York, 1869. Robert Somerville, New York, 1873; Richard Lawrence Schieffelin, New York, 1873. A. F. Mondschein, New York, by 1944; sold to the Art Institute of Chicago 1949.
Jean Bellows
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Wellfleet Harbor
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Art Institute of Chicago, Fiftey–Third Annual Exhibition of American Paintings and Sculpture, Oct. 29–Dec. 10, 1942, cat. 153.
Milwaukee–Downer College, Wisconsin, A Century of Landscape Painting by American Artists, 1851–1951, Feb. 13 – Mar. 23, 1951, cat. no. 23. *only checklist on back of symposium brochure, The Arts in Society, Milwaukee–Downer College Feb. 13, 1951.
Joseph Pennell
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Art Institute of Chicago, Catalogue of Thirty-First Annual Exhibition of American Oil Paintings and Sculpture, exh. cat. (Art Institute of Chicago, 1918), n.p., cat. 3.
Eleanor Jewett, “Art”, Chicago Daily Tribune, Nov. 10, 1918, D2.
“Current Exhibitions”, Bulletin of the Art Institute of Chicago 12, no. 9 (Dec., 1918): 141–42 (ill.).
Robert B. Harshe, The Art Institute of Chicago: A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), 114, 125, cat. 435 (ill.).
Kungl Akademien för de Fria Konsterna, Utställning av Amerikansk Konst i Stockholm [Exhibition of American Art in Stockholm, exh. cat. (Stockholm, Sweden: Kungl Akademien för de Fria Konsterna, 1930), 19, cat. 1 (ill.), as Porträtt av Joseph Pennell.
Art Institute of Chicago, Catalogue of a Century of Progress: Exhibition of Paintings and Sculpture, Lent from American Collections, exh. cat. (Art Institute of Chicago, 1933), 66, cat. 494.
Josephine Hancock Logan, Sanity in Art (A. Kroch, 1937), 83 (ill.).
Daniel Catton Rich, Half a Century of American Art, exh. cat. (Art Institute of Chicago, 1940), 1, cat. 3.
Pittsburgh, Carnegie Institute, 1918.
Art Institute of Chicago, Thirty–First Annual Exhibition of American Oil Paintings and Sculpture, Nov. 7, 1918–Jan. 1, 1919, cat. 3 (awarded the Mr. and Mrs. Frank G. Logan Medal and Honorable Mention).
New York, Anderson Galleries, Nov. 28–Dec. 27, 1925.
Philadelphia, Pennsylvania Museum, May 14–Nov. 8, 1926.
Stockholm, Sweden, Kungl Akademien för de Fria Konsterna, Utställning av Amerikansk Konst i Stockholm [Exhibition of American Art in Stockholm], Mar. 15–Apr. 7, 1930, cat. 1, as Porträtt av Joseph Pennell; Copenhagen, Denmark, Ny Carlsberg Glyptotek, Udstilling af Amerikanst Konst I København [Exhibition of American Art in Copenhagen], May 3–22, 1930; Munich, Germany, Ausstellung Americanischer Kunst [Exhibition of American Art], June–July, 1930 (organized by the American Scandinavian Foundation).
Art Institute of Chicago, A Century of Progress, June 1–Nov. 1, 1933, cat. 494.
Art Institute of Chicago, Half a Century of American Art, Nov. 16, 1939–Jan. 7, 1940, cat. 3.
Kalamazoo, Michigan, Civic Theatre, Jan. 29, 1944–Feb. 27, 1945.
IN, South Bend Art Association, American Painting in the Manner of the Late Nineteenth and Early Twentieth Centuries, Feb. 10–Mar. 31, 1948, cat. 1.
WI, Madison Art Association, Mar.–Mar. 29, 1956.
Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].
Indianapolis Museum of Art, Mirages of Memory: 200 Years of Indiana Art, Nov. 2, 1976–Feb. 14, 1977.
Storm Quiet
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Art Institute of Chicago, Oil Paintings by Paul Dougherty, July 15–Aug. 16, 1914, cat. 25.
California Palace of the Legion of Honor, Exhibition of Paintings: Collection of the Friends of American Art lent by the Art Institute of Chicago, June 26 – July 26, 1926, no. 7.
Chicago, Garfield Park Art Galleries, Exhibition of Greek Sculptures and American Paintings Lent by the Art Institute of Chicago, Nov. 5, 1935–Mar. 3, 1936, no cat.
Appleton, Wisconsin, Lawrence College, exhibition–Foyer Gallery, Sept. 22 – Oct. 4, 1937, cat. 4.
Maine, Portland Museum of Art, Paul Dougherty: A Retrospective Exhibition, Mar. 16–Apr. 9, 1978; Massachusetts, Fitchberg Art Museum, May 7–31, 1978; New London, Connecticut, Lyman Allyn Museum, Oct. 8–Nov. 12, 1978; Connecticut, New Britain Museum of American Art, Nov. 17–Dec. 30, 1978; Massachusetts, Mead Art Museum, Amherst College, Jan. 22–Feb. 20, 1979, cat. 19.
Building The Cofferdam
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Catalogue of the Twenty-Seventh Annual Exhibition of American Oil Paintings and Sculpture, exh. cat. (Art Institute of Chicago, 1914), n.p., cat. 278.
National Academy of Design, Eighty-Ninth Annual Exhibition, exh. cat. (National Academy of Design, 1914), cat. 291.
“Friends of American Art”, Bulletin of the Art Institute of Chicago, 9, no. 1 (Jan. 1, 1915): 3, 11 (ill.), as Building the Coffer-Dam.
Friends of American Art Yearbook, 1914–1915, 5th ed. (1916), 22, as Building the Coffer-Dam.
Friends of American Art Yearbook, 1916–1918, 6th ed. (1918), 11.
Donelson F. Hoopes, The American Imrpessionists, (Watson-Guptill Publications, 1972), 138 (ill.).
Thomas Folk, The Pennsylvania School of Landscape Painting: An Original American Impressionism, exh. cat. (Allentown, PA: Allentown Art Museum, 1984), cat. 2.
James D. W. Church, et al., Schofield: International Impresssionist, exh. cat. (Woodmere Art Museum, 2014), 104 (ill.).
Art Institute of Chicago, Twenty–Seventh Annual Exhibition of American Oil Paintings and Sculpture, Nov. 3–Dec. 6, 1914, cat. 278.
New York, National Academy of Design, Eighty-Ninth Annual Exhibition, Dec. 19, 1914–Jan. 17, 1915, cat. 291.
Chicago, Garfield Park Art Galleries, Exhibition of Greek Sculptures and American Paintings Lent by the Art Institute of Chicago, Nov. 5, 1935–Mar. 3, 1936, no cat.
Allentown Art Museum, Pennsylvania, The Pennsylvania School of Landscape Painting: An Original American Impressionism, Sept. 16–Nov. 27, 1984, cat. 2; Washington, DC, Corcoran Gallery of Art, Dec. 17, 1984–Feb. 10, 1985; Greensburg, PA, Westmoreland Museum of Art, Mar. 2–May 5, 1985; Chadds Ford, PA, Brandywine River Museum, June 1–Sept. 2, 1985.
June Morning: Lake Orta
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Chicago, Garfield Park Art Galleries, Exhibition of Greek Sculptures and American Paintings Lent by the Art Institute of Chicago, Nov. 5, 1935–Mar. 3, 1936, no cat.
Young Woman in Black
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Austin E. Howland, “Eighth Annual Exhibition of Paintings at Pittsburg,” Brush and Pencil 13, no. 2 (Nov., 1903): 137-43, 148, 152-53, https://www.jstor.org/stable/25503679.
Carnegie Institute, Catalogue of the Eighth Annual Exhibition at the Carnegie Institute, exh. cat. (Carnegie Institute, 1903), n.p., cat. 72.
Cincinnati Museum, The Tenth Annual Exhibition of American Art, exh. cat. (Cincinnati Museum, 1903), 7, 20, cat. 32, as Portrait.
Pennsylvania Academy of the the Fine Arts, Catalogue of the Seventy-Second Annual Exhibition, exh. cat. (Pennsylvania Academy of the Fine Arts, 1903), 17, 98, cat. 88, as <Portrait, https://hdl.handle.net/2027/gri.ark:/13960/t0dv6xx0p.
Louisiana Purchase Exposition, et al., Illustrations of Selected Works in the Various National Sections of the Department of Art, exh. cat. (Saint Louis: Louisiana Purchase Exposition Company, 1904), 275–77, cat. 276 (ill.), as Portrait of Young Woman in Black and A Lady in Black.
Municipal Art League of Chicago and the Art Institute of Chicago, Catalogue of Loan Exhibition of Portraits: The Art Institute and Exhibition Committee of the Municipal Art League of Chicago, exh. cat. (Art Institute of Chicago, 1905), n.p., cat. 53.
James William Pattison, “Robert Henri—Painter,” House Beautiful 20 (Aug., 1906): 19 (ill.).
“Boston,” American Art News 5, no. 13 (Jan. 12, 1907): 2, https://www.jstor.org/stable/25590237.
“Corcoran Gallery Exhibit: Some Notable Works,” American Art News 7, no. 10 (Dec. 19, 1908): 2, https://www.jstor.org/stable/25590389.
Robert Henri, “Progress in Our National Art Must Spring from the Development of Individuality and Freedom of Expression: A Suggestion for a New Art School,” Craftsman 15, no. 4 (Jan., 1909): 395 (ill.).
“Baltimore,” American Art News 8, no. 26 (Apr. 9, 1910): 3, https://www.jstor.org/stable/25590586.
James Frederick Hopkins, Exhibition of the Works of American Artists, exh. cat. (Maryland Institute Gallery, 1910), 41, cat. 54.
Art Institute of Chicago, “Purchases by the Friends of American Art,”, Bulletin of The Art Institute of Chicago 4, no. 4 (Apr., 1911): 55, https://www.jstor.org/stable/4119895.
“News Items,” Art and Progress 2, no. 8 (June, 1911): 246–47, https://www.jstor.org/stable/20560422.
Friends of American Art Year Book, 1910-11, 1st ed. (Art Institute of Chicago: 1911), 17 (ill.).
Friends of American Art Year Book, 1911–1912, 2nd ed. (Art Institute of Chicago, 1912), 13 (ill.).
Guy Pène Du Bois, “Robert Henri—Realist and Idealist,” Arts and Decoration 2, no. 6 (Apr., 1912): 213–15, 230 (ill.), https://www.jstor.org/stable/43799957.
Friends of American Art Year Book, 1912–1913, 3rd ed. (Art Institute of Chicago, 1913), 15 (ill.).
Friends of American Art Year Book, 1913–1914, 4th ed. (Art Institute of Chicago, 1914), 17 (ill.).
William M. R. French, Art Institute of Chicago General Catalogue of Sculpture, Paintings, and Other Objects in the Museum (Art Institute of Chicago, 1913), 153, cat. 513, https://hdl.handle.net/2027/gri.ark:/13960/t59c9q90w.
Friends of American Art Year Book, 1914–1915, 5th ed. (Art Institute of Chicago, 1915), 20, 87 (ill.).
“April Exhibitions,” Bulletin of the Art Institute of Chicago 13, no. 3 (Mar., 1919): 35–36, https://www.jstor.org/stable/4116044.
George William Eggers, Handbook of Sculpture, Architecture, Paintings, and Drawings: Part II: Paintings and Drawings, vol. 2 (Art Institute of Chicago, 1920), 42, cat. 393, https://hdl.handle.net/2027/mdp.39015036764952.
“Book Reviews: Robert Henri, His Life and Works,” American Art News 20, no. 12 (Dec. 31, 1921): 6, https://www.jstor.org/stable/25589886.
William Yarrow and Louis Bouche, Robert Henri: His Life and Works (Boni and Liveright, 1921), 20, 101 (ill.).
Nathaniel Pousette–Dart, Robert Henri (F.A. Stokes, 1922), cat. 46 (ill.).
R. M. F., “The Walter H. Schulze Memorial Gallery of Paintings,” Bulletin of the Art Institute of Chicago 19, no. 1 (Jan., 1925): 7–9, https://www.jstor.org/stable/4114117.
Milwaukee Art Institute, Catalogue of an Exhibition of Forty Paintings Presented to the Art Institute of Chicago by the Friends of American Art, exh. cat. (Milwaukee Art Institute, 1925), n.p., cat. 20 (ill.).
Samuel Isham, History of American Painting (Macmillan, 1927), 507 (ill.).
Rose Henderson, “Robert Henri,” The American Magazine of Art 21, no. 1 (Jan., 1930): 3–12 (ill.), https://www.jstor.org/stable/23931581.
John Sloan, Catalogue of a Memorial Exhibition of the Work of Robert Henri, exh. cat. (Metropolitan Museum of Art, 1931), 4, cat. 14 (ill.).
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1932), 127.
Daniel Catton Rich, ed., Catalogue of a Century of Progress: Exhibition of Paintings and Sculpture, 1934 exh. cat. (Art Institute of Chicago, 1934), 67, cat. 455.
Holger Cahill and Alfred Barr, Art in America in Modern Times (Books for Libraries Press, 1934), 31 (ill.).
John Shapley, ed., “Robert Henri—Painter, 1865–1929,” Index of Twentieth Century Artists 2 (Sept., 1935): i.
Charles Crehore Cunningham, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), 215.
Bennard B. Perlman, The Immortal Eight: American Painting from Eakins to the Armory Show, 1870–1913 (New York, Exposition Press, 1962), (ill.).
Bennard B. Perlman, Robert Henri: His Life and Art (Dover Publications, 1991), 57–59, 62, 95 (ill.).
Bennard B. Perlman, Revolutionaries of Realism: The Letters of John Sloan and Robert Henri (Princeton University Press, 1997), 83, cat. 31.
Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998), 336, fig. 90 (ill.).
Pennsylvania Academy of the Fine Arts, Seventy-Second Annual Exhibition, Jan. 19–Feb. 28, 1903, cat. 88, as Portrait.
Cincinnati Museum, Tenth Annual Exhibition of American Art, May 23–July 6, 1903, cat. 32, as Portrait.
Pittsburg, Carnegie Institute, Eighth Annual Exhibition, Nov. 5, 1903–Jan. 1, 1904, cat. 72.
Saint Louis, The Art Palace, Universal Exposition, Louisiana Purchase Exposition, Apr. 30–Dec. 1, 1904, cat. 276, no. 354 (awarded Silver Medal).
Art Institute of Chicago, Municipal Art League of Chicago: Loan Exhibition of Portraits, Jan. 2–22, 1905, cat. 53.
Boston Art Club, Seventy-Fifth Annual Exhibition, Jan. 4– , 1907.
Washington, DC, Corcoran Gallery, 1908.
Venice, Italy, Eighth Esposizione internazionale d’arte la Citta di Venezia, Apr. 22–Oct. 31, 1909, cat.
Baltimore, Maryland Institute Gallery, Exhibition of the Works of American Artists, Apr. 4–30, 1910, cat. 54.
Milwaukee Art Institute, An Exhibition of Forty Paintings Presented to the Art Institute of Chicago by the Friends of American Art, Mar. 1–29, 1925, cat. 20.
New York, Metropolitan Museum of Art, The Robert Henry Memorial Exhibition, Mar. 9–Apr. 19, 1931; cat. 14; MD, Baltimore Museum of Art, The Robert Henri Memorial Exhibition, May 1931.
Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–Nov. 1, 1934, cat. 455.
Chicago, Garfield Park Art Galleries, Exhibition of Greek Sculptures and American Paintings Lent by the Art Institute of Chicago, Nov. 5, 1935–Mar. 3, 1936, no cat.
MI, Kalamazoo Civic Theater, Dec. 26, 1944–Feb. 1945.
Madison Wisconsin Art Association, Mar. 1956, cat. 276.
Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].
FL, Orlando Museum of Art, My People: The Portraits of Robert Henri, Oct. 22, 1994–Jan. 8, 1995; FL, Ft. Lauderdale Museum of Art, Feb. 5–Apr. 2, 1995; GA, Columbus Museum, Apr. 30–June 25, 1995.
Greenwich, CT, Bruce Museum of Art, Painterly Controversy: William Merritt Chase and Robert Henri, Jan. 27–Apr. 29, 2007, cat. 10.
The artist, New York, 1902; sold to the Friends of American Art [Friends of American Art ledger book, Feb. 9, 1911; copy in curatorial object file]; given to the Art Institute of Chicago, 1911.
Untitled, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio
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