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Showing 77 items
Painting

Portrait of Mrs. Bowen

Julius Gari Melchers
1900–10 • United States
Oil on canvas
View Details
API Model
artworks
Thumbnail Width
0
Thumbnail Height
0
Main Reference Number
1964.244
Date Start
1900
Date End
1910
Date Display
1900–10
Date Qualifier Title
c.
Date Qualifier ID
60
Artist Display
Julius Gari Melchers (American, 1860–1932)
Place of Origin
United States
Dimensions
132.1 × 76.2 cm (52 × 30 in.)
Dimensions Detail 0 Width
76
Dimensions Detail 0 Height
132
Medium Display
Oil on canvas
Credit Line
Gift of Mrs. William McCormick Blair
Publishing Verification Level
Web Basic
Internal Department ID
21
Fiscal Year
1964
Max Zoom Window Size
843
Color H
0
Color L
0
Color S
0
Color Population
0
Artwork Type Title
Painting
Artwork Type ID
1
Department Title
Arts of the Americas
Department ID
PC-3
Artist ID
35732
Artist Title
Julius Gari Melchers
Artist IDs 0
35732
Artist Titles 0
Julius Gari Melchers
Category IDs 0
PC-3
Category Titles 0
Arts of the Americas
Term Titles
["oil on canvas","oil paint (paint)","canvas","painting","modern and contemporary art"]
Classification ID
TM-66
Classification Title
oil on canvas
Alt Classification IDs 0
TM-9
Alt Classification IDs 1
TM-155
Classification IDs 0
TM-66
Classification IDs 1
TM-9
Classification IDs 2
TM-155
Classification Titles 0
oil on canvas
Classification Titles 1
painting
Classification Titles 2
modern and contemporary art
Painting Public Domain

Mrs. Noah Smith and Family

Ezra Ames
c. 1830 • United States
Oil on canvas
View Details
API Model
artworks
Thumbnail LQIP

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Thumbnail Width
2872
Thumbnail Height
2250
Thumbnail Alt Text
A work made of oil on canvas.
Main Reference Number
1954.311
Date Start
1830
Date End
1830
Date Display
c. 1830
Date Qualifier Title
c.
Date Qualifier ID
60
Artist Display
Attributed to Ezra Ames American, 1768–1836 Copy after Ralph Earl American, 1751–1801
Place of Origin
United States
Dimensions
160.5 × 112.7 cm (65 × 83 3/4 in.)
Dimensions Detail 0 Width
112
Dimensions Detail 0 Height
160
Medium Display
Oil on canvas
Credit Line
Bequest of Joseph Winterbotham
Publishing Verification Level
Web Basic
Internal Department ID
21
Fiscal Year
1955
Is Public Domain
Yes
Is Zoomable
Yes
Max Zoom Window Size
-1
Colorfulness
48.8723
Color H
7
Color L
39
Color S
74
Color Percentage
0.039541320680111
Color Population
220
Artwork Type Title
Painting
Artwork Type ID
1
Department Title
Arts of the Americas
Department ID
PC-3
Artist ID
77241
Artist Title
Ezra Ames
Artist IDs 0
77241
Artist Titles 0
Ezra Ames
Category IDs 0
PC-3
Category Titles 0
Arts of the Americas
Term Titles
["painting","oil paint (paint)","Folk Art","fashion","organic material","american arts","people","portraits"]
Style ID
TM-12125
Style Title
Folk Art
Style IDs 0
TM-12125
Style Titles 0
Folk Art
Classification ID
TM-9
Classification Title
painting
Alt Classification IDs 0
TM-2191
Classification IDs 0
TM-9
Classification IDs 1
TM-2191
Classification Titles 0
painting
Classification Titles 1
american arts
Subject ID
TM-8663
Material ID
TM-2451
Material IDs 0
TM-2451
Material Titles 0
oil paint (paint)
Image ID
68415b1d-baec-303a-1c09-4c6b7ccb575c
Source Updated At
March 18, 2026 9:55 pm
Updated At
March 18, 2026 11:11 pm
Timestamp
March 18, 2026 11:15 pm
Painting

The Song of the Poet

Peppino Mangravite
1944 • United States
Oil on canvas
View Details
API Model
artworks
Thumbnail LQIP

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Thumbnail Width
4437
Thumbnail Height
5544
Thumbnail Alt Text
A work made of oil on canvas.
Main Reference Number
1944.30
Date Start
1944
Date End
1944
Date Display
1944
Artist Display
Peppino Mangravite American, born Italy, 1896–1978
Place of Origin
United States
Dimensions
152.4 × 121.9 cm (60 × 48 in.)
Dimensions Detail 0 Width
121
Dimensions Detail 0 Height
152
Medium Display
Oil on canvas
Inscriptions
s.l.l. Mangravite
Credit Line
Friends of American Art Collection; Goodman Fund
Exhibition History

Nacogdoches, Texas, Stephen F. Austin University Art Gallery, Images of World War II, Mar–May 1992.

Denver Art Museum, Colorado: One Land, Many Visions, Mar. 30–Sept. 15, 1996.

Publishing Verification Level
Web Cataloged
Internal Department ID
21
Fiscal Year
0
Max Zoom Window Size
843
Colorfulness
24.7781
Color H
49
Color L
51
Color S
13
Color Percentage
0.17894886114244
Color Population
1590
Artwork Type Title
Painting
Artwork Type ID
1
Department Title
Arts of the Americas
Department ID
PC-3
Artist ID
16080
Artist Title
Peppino Mangravite
Artist IDs 0
16080
Artist Titles 0
Peppino Mangravite
Category IDs 0
PC-3
Category Titles 0
Arts of the Americas
Term Titles
["oil paint (paint)","painting","Modernism","canvas","modern and contemporary art"]
Style ID
TM-5981
Style Title
Modernism
Style IDs 0
TM-5981
Style Titles 0
Modernism
Classification ID
TM-9
Classification Title
painting
Alt Classification IDs 0
TM-155
Classification IDs 0
TM-9
Classification IDs 1
TM-155
Classification Titles 0
painting
Classification Titles 1
modern and contemporary art
Material ID
TM-2451
Material IDs 0
TM-2451
Material Titles 0
oil paint (paint)
Image ID
6b5d02d1-d607-e0f0-19f9-9634c45bd855
Source Updated At
March 18, 2026 9:55 pm
Updated At
March 18, 2026 11:11 pm
Timestamp
March 18, 2026 11:15 pm
Painting Public Domain

Near Newport

John Frederick Kensett
1869 • Newport
Oil on canvas

In this late work, John Frederick Kensett portrayed the Rhode Island coast with spare, yet meticulous forms suffused with light and quietude. A solitary female figure seated at…

View Details
API Model
artworks
Thumbnail LQIP

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Thumbnail Width
3000
Thumbnail Height
1394
Thumbnail Alt Text
A work made of oil on canvas.
Main Reference Number
1944.686
Date Start
1869
Date End
1869
Date Display
1869
Artist Display
John Frederick Kensett American, 1816–1872
Place of Origin
Newport
Description

In this late work, John Frederick Kensett portrayed the Rhode Island coast with spare, yet meticulous forms suffused with light and quietude. A solitary female figure seated at right almost goes unnoticed amid the long, horizontal bands of earth and water. It is the expansive sky that dominates the composition, suggestive of a spiritual force in nature. Kensett, who first trained as an engraver, applied draftsman’s precision to his paintings of the American landscape. Near Newport hints at the tourist activities that would come to define the town in the late 19th century, with couples walking along the distant shore and bathing tents dotting the horizon.

Dimensions
29.5 × 62.4 cm (11 5/8 × 24 1/4 in.)
Dimensions Detail 0 Width
62
Dimensions Detail 0 Height
29
Medium Display
Oil on canvas
Inscriptions
Signed, lower right: "JFK (monogram) 69"
Credit Line
Friends of American Art Collection; Goodman Fund
Publication History

John Paul Driscoll and John K. Howat, John Frederick Kensett, an American Master (Worcester, MA: Worcester Art Museum, 1985), pl. 26, ill.

Art Institute of Chicago, Master Paintings in The Art Institute of Chicago (Boston and Toronto: Little, Brown, 1988), p. 87, ill.

Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998).

Exhibition History

New York, NY, National Academy of Design, Collection of Over Five Hundred Paintings and Studies by the Late John F. Kensett, Mar. 24–29, 1873, no. 178, as Near Newport.

Art Institute of Chicago, The Hudson River School and the Early American Landscape Tradition, Feb. 15–Mar. 25, 1945, Frederick A. Sweet, cat. no. 126, p. 84, ill. as Rocky Coast at Newport.

Milwaukee–Downer College, Wisconsin, A Century of Landscape Painting by American Artists, 1851–1951, Feb. 13 – Mar. 23, 1951, cat. no. 1, as Rocky Coast, Newport. *only checklist on back of symposium brochure, The Arts in Society, Milwaukee–Downer College Feb. 13, 1951.

Athens, Ohio University, Edwin Watts Chubb Literary Art Gallery, American Painting: Masterpieces Loaned by the Art Institute of Chicago, cat. no. 3, as Third Beach, Newport.

IL, Durand Art Institute, Lake Forest College, A Century of American Painting: Masterpieces Loaned by The Art Institute of Chicago, June 10–16, 1957, no. 3, as Third Beach, Newport.

Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].

New York, NY, The Whitney Museum of American Art, John Frederick Kensett, 1816–1872, Sept. 10–Oct. 20, 1968, cat. no. 41, ill. as Rocky Coast at Newport; Houston, Texas, the Museum of Fine Arts, Feb. 27–Apr. 13, 1969; Jacksonville, Fla., Cummer Gallery of Art, Apr. 29–June 8, 1969.

Worcester, Mass., Worcester Art Museum, John Frederick Kensett, An American Master, Mar. 26–June 9, 1985, John Paul Driscoll and John K. Howat, pl. 26, ill.; Los Angeles County Museum of Art, Calif., July 11–Sept. 8, 1985; The Metropolitan Museum of Art, Oct. 29, 1985–Jan. 19, 1986.

Provenance Text

John F. Kensett, New York, 1869. Robert Somerville, New York, 1873; Richard Lawrence Schieffelin, New York, 1873. A. F. Mondschein, New York, by 1944; sold to the Art Institute of Chicago 1949.

Publishing Verification Level
Web Cataloged
Internal Department ID
21
Fiscal Year
1945
Is Public Domain
Yes
Is Zoomable
Yes
Max Zoom Window Size
-1
Colorfulness
37.9234
Color H
44
Color L
54
Color S
43
Color Percentage
0.004236570072869
Color Population
14
Artwork Type Title
Painting
Artwork Type ID
1
Department Title
Arts of the Americas
Department ID
PC-3
Artist ID
35239
Artist Title
John Frederick Kensett
Artist IDs 0
35239
Artist Titles 0
John Frederick Kensett
Category IDs 0
PC-3
Category Titles 0
Arts of the Americas
Term Titles
["painting","oil paint (paint)","landscapes","organic material","american arts"]
Classification ID
TM-9
Classification Title
painting
Alt Classification IDs 0
TM-2191
Classification IDs 0
TM-9
Classification IDs 1
TM-2191
Classification Titles 0
painting
Classification Titles 1
american arts
Subject ID
TM-8657
Material ID
TM-2451
Material IDs 0
TM-2451
Material Titles 0
oil paint (paint)
Image ID
50f98ea2-ea74-d991-b2fc-ddbc616283bd
Source Updated At
March 18, 2026 9:55 pm
Updated At
March 18, 2026 11:11 pm
Timestamp
March 18, 2026 11:15 pm
Painting

Jean Bellows

Eugene Speicher
1940 • United States
Oil on canvas
View Details
API Model
artworks
Thumbnail LQIP

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Thumbnail Width
6685
Thumbnail Height
7810
Thumbnail Alt Text
A work made of oil on canvas.
Main Reference Number
1941.33
Date Start
1940
Date End
1940
Date Display
1940
Artist Display
Eugene Speicher American, 1883–1962
Place of Origin
United States
Dimensions
121.9 × 105.1 cm (48 × 41 3/8 in.)
Dimensions Detail 0 Width
105
Dimensions Detail 0 Height
121
Medium Display
Oil on canvas
Credit Line
Friends of American Art Collection
Publishing Verification Level
Web Basic
Internal Department ID
21
Fiscal Year
1941
Max Zoom Window Size
843
Colorfulness
17.811
Color H
57
Color L
48
Color S
10
Color Percentage
0.042632368083531
Color Population
354
Artwork Type Title
Painting
Artwork Type ID
1
Department Title
Arts of the Americas
Department ID
PC-3
Artist ID
24620
Artist Title
Eugene Speicher
Artist IDs 0
24620
Artist Titles 0
Eugene Speicher
Category IDs 0
PC-3
Category Titles 0
Arts of the Americas
Term Titles
["painting","oil paint (paint)","canvas","modern and contemporary art"]
Classification ID
TM-9
Classification Title
painting
Alt Classification IDs 0
TM-155
Classification IDs 0
TM-9
Classification IDs 1
TM-155
Classification Titles 0
painting
Classification Titles 1
modern and contemporary art
Material ID
TM-2451
Material IDs 0
TM-2451
Material Titles 0
oil paint (paint)
Image ID
b2023ca4-d773-a394-31a5-f94d0fef0961
Source Updated At
March 18, 2026 9:55 pm
Updated At
March 18, 2026 11:11 pm
Timestamp
March 18, 2026 11:15 pm
Painting

Wellfleet Harbor

Julian Edwin Levi
1941 • United States
Oil on canvas
View Details
API Model
artworks
Thumbnail LQIP

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Thumbnail Width
2996
Thumbnail Height
2250
Thumbnail Alt Text
A work made of oil on canvas.
Main Reference Number
1943.533
Date Start
1941
Date End
1941
Date Display
1941
Artist Display
Julian E. Levi American, 1900–1982
Place of Origin
United States
Dimensions
76.2 × 101.6 cm (30 × 40 in.)
Dimensions Detail 0 Width
101
Dimensions Detail 0 Height
76
Medium Display
Oil on canvas
Inscriptions
Signed lower left: Julian Levi 1941 on back of canvas
Credit Line
Gift of Society for Contemporary American Art
Exhibition History

Art Institute of Chicago, Fiftey–Third Annual Exhibition of American Paintings and Sculpture, Oct. 29–Dec. 10, 1942, cat. 153.

Milwaukee–Downer College, Wisconsin, A Century of Landscape Painting by American Artists, 1851–1951, Feb. 13 – Mar. 23, 1951, cat. no. 23. *only checklist on back of symposium brochure, The Arts in Society, Milwaukee–Downer College Feb. 13, 1951.

Publishing Verification Level
Web Cataloged
Internal Department ID
21
Fiscal Year
1943
Max Zoom Window Size
843
Colorfulness
28.9134
Color H
134
Color L
51
Color S
3
Color Percentage
0.19302161279864
Color Population
1030
Artwork Type Title
Painting
Artwork Type ID
1
Department Title
Arts of the Americas
Department ID
PC-3
Artist ID
15202
Artist Title
Julian Edwin Levi
Artist IDs 0
15202
Artist Titles 0
Julian Edwin Levi
Category IDs 0
PC-3
Category Titles 0
Arts of the Americas
Term Titles
["painting","oil paint (paint)","canvas","modern and contemporary art"]
Classification ID
TM-9
Classification Title
painting
Alt Classification IDs 0
TM-155
Classification IDs 0
TM-9
Classification IDs 1
TM-155
Classification Titles 0
painting
Classification Titles 1
modern and contemporary art
Material ID
TM-2451
Material IDs 0
TM-2451
Material Titles 0
oil paint (paint)
Image ID
e76af0cb-c464-8cc9-6788-d42cd4fa3c4e
Source Updated At
March 18, 2026 9:55 pm
Updated At
March 18, 2026 11:11 pm
Timestamp
March 18, 2026 11:15 pm
Painting

Joseph Pennell

Wayman Adams
1917 • United States
Oil on canvas
View Details
API Model
artworks
Thumbnail LQIP

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Thumbnail Width
6952
Thumbnail Height
8485
Thumbnail Alt Text
A work made of oil on canvas.
Main Reference Number
1918.293
Has Not Been Viewed Much
Yes
Date Start
1908
Date End
1918
Date Display
1917
Artist Display
Wayman Adams (American, 1883–1959)
Place of Origin
United States
Dimensions
132.1 × 109.6 cm (52 × 43 1/8 in.)
Dimensions Detail 0 Width
109
Dimensions Detail 0 Height
132
Medium Display
Oil on canvas
Inscriptions
Signed recto, bottom-left corner, on grey ground, in black paint: "Wayman Adams".
Credit Line
Friends of American Art Collection
Publication History

Art Institute of Chicago, Catalogue of Thirty-First Annual Exhibition of American Oil Paintings and Sculpture, exh. cat. (Art Institute of Chicago, 1918), n.p., cat. 3.

Eleanor Jewett, “Art”, Chicago Daily Tribune, Nov. 10, 1918, D2.

“Current Exhibitions”, Bulletin of the Art Institute of Chicago 12, no. 9 (Dec., 1918): 141–42 (ill.).

Robert B. Harshe, The Art Institute of Chicago: A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), 114, 125, cat. 435 (ill.).

Kungl Akademien för de Fria Konsterna, Utställning av Amerikansk Konst i Stockholm [Exhibition of American Art in Stockholm, exh. cat. (Stockholm, Sweden: Kungl Akademien för de Fria Konsterna, 1930), 19, cat. 1 (ill.), as Porträtt av Joseph Pennell.

Art Institute of Chicago, Catalogue of a Century of Progress: Exhibition of Paintings and Sculpture, Lent from American Collections, exh. cat. (Art Institute of Chicago, 1933), 66, cat. 494.

Josephine Hancock Logan, Sanity in Art (A. Kroch, 1937), 83 (ill.).

Daniel Catton Rich, Half a Century of American Art, exh. cat. (Art Institute of Chicago, 1940), 1, cat. 3.

Exhibition History

Pittsburgh, Carnegie Institute, 1918.

Art Institute of Chicago, Thirty–First Annual Exhibition of American Oil Paintings and Sculpture, Nov. 7, 1918–Jan. 1, 1919, cat. 3 (awarded the Mr. and Mrs. Frank G. Logan Medal and Honorable Mention).

New York, Anderson Galleries, Nov. 28–Dec. 27, 1925.

Philadelphia, Pennsylvania Museum, May 14–Nov. 8, 1926.

Stockholm, Sweden, Kungl Akademien för de Fria Konsterna, Utställning av Amerikansk Konst i Stockholm [Exhibition of American Art in Stockholm], Mar. 15–Apr. 7, 1930, cat. 1, as Porträtt av Joseph Pennell; Copenhagen, Denmark, Ny Carlsberg Glyptotek, Udstilling af Amerikanst Konst I København [Exhibition of American Art in Copenhagen], May 3–22, 1930; Munich, Germany, Ausstellung Americanischer Kunst [Exhibition of American Art], June–July, 1930 (organized by the American Scandinavian Foundation).

Art Institute of Chicago, A Century of Progress, June 1–Nov. 1, 1933, cat. 494.

Art Institute of Chicago, Half a Century of American Art, Nov. 16, 1939–Jan. 7, 1940, cat. 3.

Kalamazoo, Michigan, Civic Theatre, Jan. 29, 1944–Feb. 27, 1945.

IN, South Bend Art Association, American Painting in the Manner of the Late Nineteenth and Early Twentieth Centuries, Feb. 10–Mar. 31, 1948, cat. 1.

WI, Madison Art Association, Mar.–Mar. 29, 1956.

Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].

Indianapolis Museum of Art, Mirages of Memory: 200 Years of Indiana Art, Nov. 2, 1976–Feb. 14, 1977.

Publishing Verification Level
Web Cataloged
Internal Department ID
21
Fiscal Year
0
Max Zoom Window Size
843
Colorfulness
0
Color H
66
Color L
42
Color S
3
Color Percentage
0.0022665734495247
Color Population
1337
Artwork Type Title
Painting
Artwork Type ID
1
Department Title
Arts of the Americas
Department ID
PC-3
Artist ID
33357
Artist Title
Wayman Adams
Artist IDs 0
33357
Artist Titles 0
Wayman Adams
Category IDs 0
PC-3
Category Titles 0
Arts of the Americas
Term Titles
["oil paint (paint)","painting","Century of Progress","canvas","modern and contemporary art","world's fairs","Chicago World's Fairs"]
Classification ID
TM-9
Classification Title
painting
Alt Classification IDs 0
TM-155
Classification IDs 0
TM-9
Classification IDs 1
TM-155
Classification Titles 0
painting
Classification Titles 1
modern and contemporary art
Subject ID
TM-12169
Material ID
TM-2451
Material IDs 0
TM-2451
Material Titles 0
oil paint (paint)
Image ID
1057f824-f5ca-6d2c-49e2-4667f5bf0ddd
Source Updated At
March 18, 2026 9:55 pm
Updated At
March 18, 2026 11:11 pm
Timestamp
March 18, 2026 11:15 pm
Painting

Storm Quiet

Paul Dougherty
1907 • United States
Oil on canvas
View Details
API Model
artworks
Thumbnail Width
0
Thumbnail Height
0
Main Reference Number
1914.802
Has Not Been Viewed Much
Yes
Date Start
1907
Date End
1907
Date Display
1907
Artist Display
Paul Dougherty (American, 1877–1947)
Place of Origin
United States
Dimensions
92.1 × 122.2 cm (36 1/4 × 48 1/8 in.)
Dimensions Detail 0 Width
122
Dimensions Detail 0 Height
92
Medium Display
Oil on canvas
Inscriptions
Signed l.r.: "Paul Dougherty, 1907"
Credit Line
Friends of American Art Collection
Exhibition History

Art Institute of Chicago, Oil Paintings by Paul Dougherty, July 15–Aug. 16, 1914, cat. 25.

California Palace of the Legion of Honor, Exhibition of Paintings: Collection of the Friends of American Art lent by the Art Institute of Chicago, June 26 – July 26, 1926, no. 7.

Chicago, Garfield Park Art Galleries, Exhibition of Greek Sculptures and American Paintings Lent by the Art Institute of Chicago, Nov. 5, 1935–Mar. 3, 1936, no cat.

Appleton, Wisconsin, Lawrence College, exhibition–Foyer Gallery, Sept. 22 – Oct. 4, 1937, cat. 4.

Maine, Portland Museum of Art, Paul Dougherty: A Retrospective Exhibition, Mar. 16–Apr. 9, 1978; Massachusetts, Fitchberg Art Museum, May 7–31, 1978; New London, Connecticut, Lyman Allyn Museum, Oct. 8–Nov. 12, 1978; Connecticut, New Britain Museum of American Art, Nov. 17–Dec. 30, 1978; Massachusetts, Mead Art Museum, Amherst College, Jan. 22–Feb. 20, 1979, cat. 19.

Publishing Verification Level
Web Cataloged
Internal Department ID
21
Fiscal Year
0
Max Zoom Window Size
843
Color H
0
Color L
0
Color S
0
Color Population
0
Artwork Type Title
Painting
Artwork Type ID
1
Department Title
Arts of the Americas
Department ID
PC-3
Artist ID
34278
Artist Title
Paul Dougherty
Artist IDs 0
34278
Artist Titles 0
Paul Dougherty
Category IDs 0
PC-3
Category Titles 0
Arts of the Americas
Term Titles
["oil paint (paint)","painting","canvas","modern and contemporary art"]
Classification ID
TM-9
Classification Title
painting
Alt Classification IDs 0
TM-155
Classification IDs 0
TM-9
Classification IDs 1
TM-155
Classification Titles 0
painting
Classification Titles 1
modern and contemporary art
Material ID
TM-2451
Material IDs 0
TM-2451
Material Titles 0
oil paint (paint)
Source Updated At
March 18, 2026 9:55 pm
Updated At
March 18, 2026 11:11 pm
Timestamp
March 18, 2026 11:15 pm
Painting

Building The Cofferdam

Walter Elmer Schofield
c. 1914 • United States
Oil on canvas
View Details
API Model
artworks
Thumbnail LQIP

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12623
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A work made of oil on canvas.
Main Reference Number
1914.821
Date Start
1914
Date End
1914
Date Display
c. 1914
Date Qualifier Title
c.
Date Qualifier ID
60
Artist Display
Walter Elmer Schofield (American, 1866–1944)
Place of Origin
United States
Dimensions
127 × 152.4 cm (50 × 60 in.)
Dimensions Detail 0 Width
152
Dimensions Detail 0 Height
127
Medium Display
Oil on canvas
Inscriptions
Signed recto, bottom-right, on snow, in brown paint: "Schofield.".
Credit Line
Friends of American Art Collection
Publication History

Catalogue of the Twenty-Seventh Annual Exhibition of American Oil Paintings and Sculpture, exh. cat. (Art Institute of Chicago, 1914), n.p., cat. 278.

National Academy of Design, Eighty-Ninth Annual Exhibition, exh. cat. (National Academy of Design, 1914), cat. 291.

“Friends of American Art”, Bulletin of the Art Institute of Chicago, 9, no. 1 (Jan. 1, 1915): 3, 11 (ill.), as Building the Coffer-Dam.

Friends of American Art Yearbook, 1914–1915, 5th ed. (1916), 22, as Building the Coffer-Dam.

Friends of American Art Yearbook, 1916–1918, 6th ed. (1918), 11.

Donelson F. Hoopes, The American Imrpessionists, (Watson-Guptill Publications, 1972), 138 (ill.).

Thomas Folk, The Pennsylvania School of Landscape Painting: An Original American Impressionism, exh. cat. (Allentown, PA: Allentown Art Museum, 1984), cat. 2.

James D. W. Church, et al., Schofield: International Impresssionist, exh. cat. (Woodmere Art Museum, 2014), 104 (ill.).

Exhibition History

Art Institute of Chicago, Twenty–Seventh Annual Exhibition of American Oil Paintings and Sculpture, Nov. 3–Dec. 6, 1914, cat. 278.

New York, National Academy of Design, Eighty-Ninth Annual Exhibition, Dec. 19, 1914–Jan. 17, 1915, cat. 291.

Chicago, Garfield Park Art Galleries, Exhibition of Greek Sculptures and American Paintings Lent by the Art Institute of Chicago, Nov. 5, 1935–Mar. 3, 1936, no cat.

Allentown Art Museum, Pennsylvania, The Pennsylvania School of Landscape Painting: An Original American Impressionism, Sept. 16–Nov. 27, 1984, cat. 2; Washington, DC, Corcoran Gallery of Art, Dec. 17, 1984–Feb. 10, 1985; Greensburg, PA, Westmoreland Museum of Art, Mar. 2–May 5, 1985; Chadds Ford, PA, Brandywine River Museum, June 1–Sept. 2, 1985.

Publishing Verification Level
Web Cataloged
Internal Department ID
21
Fiscal Year
0
Max Zoom Window Size
843
Colorfulness
0
Color H
37
Color L
47
Color S
23
Color Percentage
0.00014112640097639
Color Population
186
Artwork Type Title
Painting
Artwork Type ID
1
Department Title
Arts of the Americas
Department ID
PC-3
Artist ID
23260
Artist Title
Walter Elmer Schofield
Artist IDs 0
23260
Artist Titles 0
Walter Elmer Schofield
Category IDs 0
PC-3
Category Titles 0
Arts of the Americas
Term Titles
["oil paint (paint)","painting","Impressionism","landscapes","canvas","modern and contemporary art"]
Style ID
TM-7543
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Impressionism
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painting
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TM-155
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TM-9
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TM-155
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painting
Classification Titles 1
modern and contemporary art
Subject ID
TM-8657
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TM-2451
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TM-2451
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oil paint (paint)
Image ID
79787b3b-8e3a-89ed-4220-dfecf52c25e1
Source Updated At
March 18, 2026 9:55 pm
Updated At
March 18, 2026 11:11 pm
Timestamp
March 18, 2026 11:15 pm
Painting

June Morning: Lake Orta

Oliver Dennett Grover
1913 • United States
Oil on canvas
View Details
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artworks
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6046
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A work made of oil on canvas.
Main Reference Number
1913.789
Date Start
1913
Date End
1913
Date Display
1913
Artist Display
Oliver Dennett Grover (American, 1861–1927)
Place of Origin
United States
Dimensions
96.5 × 119.4 cm (38 × 47 in.)
Dimensions Detail 0 Width
119
Dimensions Detail 0 Height
96
Medium Display
Oil on canvas
Inscriptions
signed: Oliver Dennett Grover, 1913
Credit Line
Friends of American Art Collection
Catalogue Display
<p>F.A.A.//E.B.list 56//33</p>
Exhibition History

Chicago, Garfield Park Art Galleries, Exhibition of Greek Sculptures and American Paintings Lent by the Art Institute of Chicago, Nov. 5, 1935–Mar. 3, 1936, no cat.

Publishing Verification Level
Web Cataloged
Internal Department ID
21
Fiscal Year
0
Max Zoom Window Size
843
Colorfulness
20.6837
Color H
188
Color L
30
Color S
54
Color Percentage
0.14718482734694
Color Population
840
Artwork Type Title
Painting
Artwork Type ID
1
Department Title
Arts of the Americas
Department ID
PC-3
Artist ID
34757
Artist Title
Oliver Dennett Grover
Artist IDs 0
34757
Artist Titles 0
Oliver Dennett Grover
Category IDs 0
PC-3
Category Titles 0
Arts of the Americas
Term Titles
["oil paint (paint)","painting","Impressionism","landscapes","canvas","modern and contemporary art","architecture"]
Style ID
TM-7543
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Impressionism
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painting
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TM-155
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TM-155
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painting
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modern and contemporary art
Subject ID
TM-8657
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TM-2451
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TM-2451
Material Titles 0
oil paint (paint)
Image ID
e88c48eb-a293-3401-03b8-b885e9e21bd3
Source Updated At
March 18, 2026 9:55 pm
Updated At
March 18, 2026 11:11 pm
Timestamp
March 18, 2026 11:15 pm
Painting Public Domain

Young Woman in Black

Robert Henri
1902 • New York City
Oil on canvas
View Details
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artworks
Thumbnail LQIP

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3400
Thumbnail Height
6881
Thumbnail Alt Text
A work made of oil on canvas.
Main Reference Number
1910.317
Date Start
1902
Date End
1902
Date Display
1902
Artist Display
Robert Henri (American, 1865–1929)
Place of Origin
New York City
Dimensions
195.6 × 97.8 cm (77 × 38 1/2 in.)
Dimensions Detail 0 Width
97
Dimensions Detail 0 Height
195
Medium Display
Oil on canvas
Inscriptions
Signed recto, bottom-right, on ground, in black paint: "Robert Henri".
Credit Line
Friends of American Art Collection
Publication History

Austin E. Howland, “Eighth Annual Exhibition of Paintings at Pittsburg,” Brush and Pencil 13, no. 2 (Nov., 1903): 137-43, 148, 152-53, https://www.jstor.org/stable/25503679.

Carnegie Institute, Catalogue of the Eighth Annual Exhibition at the Carnegie Institute, exh. cat. (Carnegie Institute, 1903), n.p., cat. 72.

Cincinnati Museum, The Tenth Annual Exhibition of American Art, exh. cat. (Cincinnati Museum, 1903), 7, 20, cat. 32, as Portrait.

Pennsylvania Academy of the the Fine Arts, Catalogue of the Seventy-Second Annual Exhibition, exh. cat. (Pennsylvania Academy of the Fine Arts, 1903), 17, 98, cat. 88, as <Portrait, https://hdl.handle.net/2027/gri.ark:/13960/t0dv6xx0p.

Louisiana Purchase Exposition, et al., Illustrations of Selected Works in the Various National Sections of the Department of Art, exh. cat. (Saint Louis: Louisiana Purchase Exposition Company, 1904), 275–77, cat. 276 (ill.), as Portrait of Young Woman in Black and A Lady in Black.

Municipal Art League of Chicago and the Art Institute of Chicago, Catalogue of Loan Exhibition of Portraits: The Art Institute and Exhibition Committee of the Municipal Art League of Chicago, exh. cat. (Art Institute of Chicago, 1905), n.p., cat. 53.

James William Pattison, “Robert Henri—Painter,” House Beautiful 20 (Aug., 1906): 19 (ill.).

“Boston,” American Art News 5, no. 13 (Jan. 12, 1907): 2, https://www.jstor.org/stable/25590237.

“Corcoran Gallery Exhibit: Some Notable Works,” American Art News 7, no. 10 (Dec. 19, 1908): 2, https://www.jstor.org/stable/25590389.

Robert Henri, “Progress in Our National Art Must Spring from the Development of Individuality and Freedom of Expression: A Suggestion for a New Art School,” Craftsman 15, no. 4 (Jan., 1909): 395 (ill.).

“Baltimore,” American Art News 8, no. 26 (Apr. 9, 1910): 3, https://www.jstor.org/stable/25590586.

James Frederick Hopkins, Exhibition of the Works of American Artists, exh. cat. (Maryland Institute Gallery, 1910), 41, cat. 54.

Art Institute of Chicago, “Purchases by the Friends of American Art,”, Bulletin of The Art Institute of Chicago 4, no. 4 (Apr., 1911): 55, https://www.jstor.org/stable/4119895.

“News Items,” Art and Progress 2, no. 8 (June, 1911): 246–47, https://www.jstor.org/stable/20560422.

Friends of American Art Year Book, 1910-11, 1st ed. (Art Institute of Chicago: 1911), 17 (ill.).

Friends of American Art Year Book, 1911–1912, 2nd ed. (Art Institute of Chicago, 1912), 13 (ill.).

Guy Pène Du Bois, “Robert Henri—Realist and Idealist,” Arts and Decoration 2, no. 6 (Apr., 1912): 213–15, 230 (ill.), https://www.jstor.org/stable/43799957.

Friends of American Art Year Book, 1912–1913, 3rd ed. (Art Institute of Chicago, 1913), 15 (ill.).

Friends of American Art Year Book, 1913–1914, 4th ed. (Art Institute of Chicago, 1914), 17 (ill.).

William M. R. French, Art Institute of Chicago General Catalogue of Sculpture, Paintings, and Other Objects in the Museum (Art Institute of Chicago, 1913), 153, cat. 513, https://hdl.handle.net/2027/gri.ark:/13960/t59c9q90w.

Friends of American Art Year Book, 1914–1915, 5th ed. (Art Institute of Chicago, 1915), 20, 87 (ill.).

“April Exhibitions,” Bulletin of the Art Institute of Chicago 13, no. 3 (Mar., 1919): 35–36, https://www.jstor.org/stable/4116044.

George William Eggers, Handbook of Sculpture, Architecture, Paintings, and Drawings: Part II: Paintings and Drawings, vol. 2 (Art Institute of Chicago, 1920), 42, cat. 393, https://hdl.handle.net/2027/mdp.39015036764952.

“Book Reviews: Robert Henri, His Life and Works,” American Art News 20, no. 12 (Dec. 31, 1921): 6, https://www.jstor.org/stable/25589886.

William Yarrow and Louis Bouche, Robert Henri: His Life and Works (Boni and Liveright, 1921), 20, 101 (ill.).

Nathaniel Pousette–Dart, Robert Henri (F.A. Stokes, 1922), cat. 46 (ill.).

R. M. F., “The Walter H. Schulze Memorial Gallery of Paintings,” Bulletin of the Art Institute of Chicago 19, no. 1 (Jan., 1925): 7–9, https://www.jstor.org/stable/4114117.

Milwaukee Art Institute, Catalogue of an Exhibition of Forty Paintings Presented to the Art Institute of Chicago by the Friends of American Art, exh. cat. (Milwaukee Art Institute, 1925), n.p., cat. 20 (ill.).

Samuel Isham, History of American Painting (Macmillan, 1927), 507 (ill.).

Rose Henderson, “Robert Henri,” The American Magazine of Art 21, no. 1 (Jan., 1930): 3–12 (ill.), https://www.jstor.org/stable/23931581.

John Sloan, Catalogue of a Memorial Exhibition of the Work of Robert Henri, exh. cat. (Metropolitan Museum of Art, 1931), 4, cat. 14 (ill.).

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1932), 127.

Daniel Catton Rich, ed., Catalogue of a Century of Progress: Exhibition of Paintings and Sculpture, 1934 exh. cat. (Art Institute of Chicago, 1934), 67, cat. 455.

Holger Cahill and Alfred Barr, Art in America in Modern Times (Books for Libraries Press, 1934), 31 (ill.).

John Shapley, ed., “Robert Henri—Painter, 1865–1929,” Index of Twentieth Century Artists 2 (Sept., 1935): i.

Charles Crehore Cunningham, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), 215.

Bennard B. Perlman, The Immortal Eight: American Painting from Eakins to the Armory Show, 1870–1913 (New York, Exposition Press, 1962), (ill.).

Bennard B. Perlman, Robert Henri: His Life and Art (Dover Publications, 1991), 57–59, 62, 95 (ill.).

Bennard B. Perlman, Revolutionaries of Realism: The Letters of John Sloan and Robert Henri (Princeton University Press, 1997), 83, cat. 31.

Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998), 336, fig. 90 (ill.).

Exhibition History

Pennsylvania Academy of the Fine Arts, Seventy-Second Annual Exhibition, Jan. 19–Feb. 28, 1903, cat. 88, as Portrait.

Cincinnati Museum, Tenth Annual Exhibition of American Art, May 23–July 6, 1903, cat. 32, as Portrait.

Pittsburg, Carnegie Institute, Eighth Annual Exhibition, Nov. 5, 1903–Jan. 1, 1904, cat. 72.

Saint Louis, The Art Palace, Universal Exposition, Louisiana Purchase Exposition, Apr. 30–Dec. 1, 1904, cat. 276, no. 354 (awarded Silver Medal).

Art Institute of Chicago, Municipal Art League of Chicago: Loan Exhibition of Portraits, Jan. 2–22, 1905, cat. 53.

Boston Art Club, Seventy-Fifth Annual Exhibition, Jan. 4– , 1907.

Washington, DC, Corcoran Gallery, 1908.

Venice, Italy, Eighth Esposizione internazionale d’arte la Citta di Venezia, Apr. 22–Oct. 31, 1909, cat.

Baltimore, Maryland Institute Gallery, Exhibition of the Works of American Artists, Apr. 4–30, 1910, cat. 54.

Milwaukee Art Institute, An Exhibition of Forty Paintings Presented to the Art Institute of Chicago by the Friends of American Art, Mar. 1–29, 1925, cat. 20.

New York, Metropolitan Museum of Art, The Robert Henry Memorial Exhibition, Mar. 9–Apr. 19, 1931; cat. 14; MD, Baltimore Museum of Art, The Robert Henri Memorial Exhibition, May 1931.

Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–Nov. 1, 1934, cat. 455.

Chicago, Garfield Park Art Galleries, Exhibition of Greek Sculptures and American Paintings Lent by the Art Institute of Chicago, Nov. 5, 1935–Mar. 3, 1936, no cat.

MI, Kalamazoo Civic Theater, Dec. 26, 1944–Feb. 1945.

Madison Wisconsin Art Association, Mar. 1956, cat. 276.

Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].

FL, Orlando Museum of Art, My People: The Portraits of Robert Henri, Oct. 22, 1994–Jan. 8, 1995; FL, Ft. Lauderdale Museum of Art, Feb. 5–Apr. 2, 1995; GA, Columbus Museum, Apr. 30–June 25, 1995.

Greenwich, CT, Bruce Museum of Art, Painterly Controversy: William Merritt Chase and Robert Henri, Jan. 27–Apr. 29, 2007, cat. 10.

Provenance Text

The artist, New York, 1902; sold to the Friends of American Art [Friends of American Art ledger book, Feb. 9, 1911; copy in curatorial object file]; given to the Art Institute of Chicago, 1911.

Publishing Verification Level
Web Cataloged
Internal Department ID
21
Fiscal Year
1911
Is Public Domain
Yes
Is Zoomable
Yes
Max Zoom Window Size
-1
Colorfulness
11.5422
Color H
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Color L
66
Color S
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Color Percentage
0.00075688142833159
Color Population
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Artwork Type Title
Painting
Artwork Type ID
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Department Title
Arts of the Americas
Department ID
PC-3
Artist ID
34901
Artist Title
Robert Henri
Artist IDs 0
34901
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Robert Henri
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PC-3
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Arts of the Americas
Term Titles
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TM-155
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TM-66
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TM-155
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oil on canvas
Classification Titles 1
painting
Classification Titles 2
modern and contemporary art
Subject ID
TM-15749
Material ID
TM-2451
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Technique ID
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Image ID
3edec075-6e0b-0ccc-0036-5328de3e064c
Source Updated At
March 18, 2026 9:55 pm
Updated At
March 18, 2026 11:11 pm
Timestamp
March 18, 2026 11:15 pm
Photograph

Untitled, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio

Linda G. Rich
1975 • United States
Gelatin silver print, tipped onto white paperboard
View Details
API Model
artworks
Thumbnail LQIP

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Thumbnail Width
2017
Thumbnail Height
3000
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A work made of gelatin silver print, tipped onto white paperboard.
Main Reference Number
1975.170l
Has Not Been Viewed Much
Yes
Date Start
1975
Date End
1975
Date Display
1975
Date Qualifier Title
Made
Date Qualifier ID
4
Artist Display
Linda Rich American, born 1949
Place of Origin
United States
Dimensions Detail 0 Width
0
Dimensions Detail 0 Height
0
Medium Display
Gelatin silver print, tipped onto white paperboard
Credit Line
Gift of the University of Wisconsin
Publishing Verification Level
Web Basic
Internal Department ID
3
Fiscal Year
0
Max Zoom Window Size
843
Colorfulness
3.2386
Color H
56
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Artwork Type Title
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Artist ID
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Artist Title
Linda G. Rich
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36369
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Linda G. Rich
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PC-825
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Women artists
Term Titles
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TM-240
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photograph
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photography
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Image ID
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Source Updated At
March 18, 2026 9:54 pm
Updated At
March 18, 2026 11:11 pm
Timestamp
March 18, 2026 11:15 pm